The Works of G. K. Chesterton from Ignatius Press

 

Novels & Poetry

Best known for his detective fiction, G.K. Chesterton was also author of numerous other novels, ranging from fantasy and science fiction to thrillers and satire.

Most famous for his epic poems The Battle of the White Horse and Lepanto, G.K. Chesterton was also constantly composing poetry throughout his life—writing in many styles, from serious works to nonsense verse.

  • The Ballad of the White Horse

    The Ballad of the White Horse

    The Ballad of the White Horse is one of the last great epic poems in the English language. On the one had it describes King Alfred's battle against the Danes in 878. On the other hand it is a timeless allegory about the ongoing battle between Christianity and the forces of nihilistic heathenism. Filled with colorful characters, thrilling battles and mystical visions, it is as lively as it is profound.

    This deluxe volume is the definitive edition of the poem. It exactly reproduces the 1928 edition with Robert Austin's beautiful woodcuts, and includes a thorough introduction and wonderful endnotes by Sister Bernadette Sheridan, from her 60 years researching the poem. Illustrated.

  • Father Brown of the Church of Rome Selected Mystery Stories

    Father Brown of the Church of Rome

    Selected Mystery Stories

    This is a unique collection of ten of Chesterton's famous Father Brown stories which puts special emphasis on the role that Brown's Catholic faith played in helping him solve the murder mysteries. As Dorothy Sayers once wrote, Chesterton was "the first man of our time to introduce the great name of God into a detective story ... to enlarge the boundaries of the detective story by making it deal with death and real wickedness and real, that is to say, divine judgment."

    This paperback Father Brown edition includes generous footnotes (not available in other editions) which help to clarify the literary and historical allusions made by Father Brown. It is based on the texts of the original editions by Chesterton for assurance of complete authenticity, and is set in easily readable type.

  • Lepanto ed. by Dale Ahlquist

    Lepanto

    ed. by Dale Ahlquist

    Hilaire Belloc called "Lepanto" Chesterton's greatest poem and the greatest poem of his generation. But not only have English classes neglected this masterpiece of rhyme and meter, History classes have neglected the story of the pivotal battle upon which the poem is based.

    This book brings together the poem, the historical background of the famous battle, a riveting account of the battle itself, and a discussion of its historical consequences. The poem is fully annotated, and is supplemented with two interesting essays by Chesterton himself. Well-known Chesterton expert, Dale Ahlquist, has gathered together all the insightful commentaries and explanatory notes. Here is the story behind the modern conflict between Christianity and Islam, between Protestant and Catholic Europe, and the origin of the Feast of the Holy Rosary. A fascinating blend of literature, history, religion and romance!

  • Manalive A Novel by G.K. Chesterton

    Manalive

    A Novel by G.K. Chesterton

    This classic novel by Chesterton tells the rollicking tale of Innocent Smith, a man who may be crazy—or he may be the most sane man of all. Arriving at a London boarding house accompanied by a windstorm, Innocent is soon accused of attempted murder, burglary, polygamy, and desertion of his wife. As the residents of Beacon House try to piece together what this madman is up to, a detective is called upon to unravel the accusations against Smith. Actor Kevin O'Brien of the Theater of the Word gives a dramatic reading of the text in the audio versions.

  • The Man Who was Thursday with Annotations by Martin Gardner

    The Man Who was Thursday

    with Annotations by Martin Gardner

    This edition of Chesterton's masterpiece and most famous novel, The Man Who Was Thursday, explicates and enriches the complete text with extensive footnotes, together with an introductory essay on the metaphysical meaning of Chesterton's profound allegory. Martin Gardner sees the novel's anarchists as symbols of our God-given free will, and the mysterious Sunday as representing Nature, with its strange mixture of good and evil when considered as distinct from God, as a mask hiding the transcendental face of the creator. The book also includes a bibliography listing the novel's many earlier editions and stage dramatizations, as well as numerous illustrations that further illuminate the text. Illustrated.